In this interview, Chris Isbell discusses cartographic production techniques applied during analog and early digital eras, and the evolution and application of these and other related techniques as applied to numerous scientific and cartographic projects from early years (1970’s) through more recent times (late 2010’s). Isbell discusses his work at the United States Geological Survey (USGS) from his initial student appointment to the present, including planetary mapping, technical and computer programming work, working with NASA's Planetary Data System, and creating maps manually back in the hard copy era. He also discusses colleagues in related USGS departments, including: Ramona Bourdeau and the photo lab; Roger Carroll and Jim Vandivier in the drafting shop; the airbrush process used by Jay Inge and Pat Bridges at Lowell. He describes early digital processes, including Planetary Image Cartography System (PICS) and Integrated Software for Images and Spectrometers (ISIS). He discusses how NASA's Planetary Data System established cartographic standards, with the input of key people including Larry Soderblom and Hugh Kieffer. He discusses working on Voyager 1 at JPL, in a team including Soderblom, Kieffer, Ray Batson, Sherman Wu, Hal Masursky, Mike Carr, Gene Schaber, Randy Kirk, Annie Howington, Ray Jordon, and drafters Caroll and Vandivier. He also discusses Viking and the color mosaic of the equatorial belt of Mars, and the work of digital mapper Pat Chavez. He briefly discusses the planetary nomenclature program, run by Mimi Strobel, USGS representative to the International Astronomical Union (IAU), who was succeeded by Joe Russel, Jenny Blue, and Tenielle Gaither. The interview then moves to more personal questions; what brought Isbell to planetary mapping, where he would like to land on Mars, and what he would tell children about scientific research and creative work.