n this interview, Stephon Alexander discusses current research into quantum gravity and possible extensions to string theory; work to merge quantum mechanics and general relativity; research into the connection between music and cognitive science; experience as a jazz musician; intersections of philosophy and physics; experience as president of the National Society of Black Physicists (NSBP); challenges and stigmas associated with being a Black academic; growing up in both rural Trinidad and the Bronx; undergraduate experience at Haverford; graduate work at Brown; guidance from Robert Brandenberger into the field of quantum gravity, applying particle physics to astrophysics and cosmology; thesis research on solitons and topological defects and its role in string cosmology and theory; decision to take postdoc at Imperial College London focusing on M-theory and integrating string theory with cosmic inflation; influence of Alan Guth; work on D-brane driven inflation; experience in the underground London music scene; decision to go to SLAC in Stanford and work under Michael Peskin; loop quantum gravity; time as faculty at Penn State; the role and responsibility of the Black academic; recruitment by Brown University; intellectual influence of David Finkelstein; the process of becoming president of NSBP. Toward the end of the interview, Alexander reflects on his books, The Jazz of Physics and Fear of a Black Universe; being an outsider in the field of physics; and revisits his current work on quantum gravity. He emphasizes the importance of in-person collaboration and improvisation.